Thank you for your clarification roopsidhu ji.
mattqatsi ji can also find some information about Taals at the link provided earlier, specifically
Gurbani Raag:Taal : SearchGurbani.com
Amrit Keertan Gutka:- Page : -:SearchGurbani.com
roopsidhu ji
I am curious about your reaction to these paragraphs that try to connect the "resonance" of elements of musical structure to the achievement of a heightened state of inner consciousness. Thank you
Resonance
Sacred music has two aspects; the outer and the inner. The outer side is the arrangement of words and notes, the welding of the substance and the tune which is a delight for the ear and the intellect. The inner side of this music is its mysterious process by which it opens the vista of inner consciousness and stabilises and wandering mind and brings joy and peace. Technically the result can be explained through the principle of resonance. It has been proved that in case of two instruments tuned identically, if the strings of one instrument are touched, the strings of the other instrument will automatically vibrate without any physical manipulation. Thus the mind will absorb the vibration of calmness through kirtan. One musicologist explains the process thus: “If two instruments, such as two sitars, are exactly in tune with each other and if one them is played upon, then it is observed that without touching each other, the wires of both the instruments vibrate in resonance automatically. Likewise, the mind is also constantly vibrating due to energy (shakti) manifested by the omnipotent in the soul (jiv-atma)-its cidabhasa.
While music is being played or sung-going through the different notes of the various octaves-and one of notes comes into harmony and in identification with the vibrations of the mind of a person, the resonance becomes so strong that it holds the mind steadfast begins to flow gradually and flow gradually and follow the melody itself which is in tune with the external divine music, in perfect resonance and harmony with the raga and rhythm or melody (dhun) being heard externally. In this way internally the mind is gradually led, trained and channelised to attain calmness and repose. The result is that external joy begins to manifest itself slowly and steadily by itself. The more is the mind in tune, the greater is the mystic effect of the rhythm (ghar), modal music (raga)-reinforced with the Divine Word, the revelation (shabad) of the scripture”[40]. This joy creates in the mind a longing for a frequent repetition of the experience.